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中国戏曲已经有了八百多年的历史。在这漫长的岁月中,它始终处在不断的演变之中,代相更迭,我们在今天的舞台上所看到的戏曲,早已不是八百年前的旧貌。但是如果我们再深入观察一下,从最初的戏曲到近现代的戏曲,虽然历经沧桑,但戏曲艺术所具有的那些基本特征不仅未曾消失,却在新的历史条件下延续着和发展着,就好象生物学中的遗传基因一样,始终贯串于戏曲艺术发展的整个历程。其所以如此,在于戏曲变革中的继承与革新的关系,是按对立统一的法则运动的。
Chinese opera has more than 800 years of history. During this long period of time, it has always been in constant evolution and its generation has changed. The opera we have seen on the stage today is no longer the old look of 800 years ago. However, if we look deeper, from the original drama to the modern drama, though the vicissitudes of life have gone through, the basic characteristics of opera art have not only disappeared, but continued and developed under the new historical conditions, Like the genetics in biology, it always runs through the whole process of the development of opera art. In this way, the relationship between inheritance and innovation in the drama revolution is based on the law of unity of opposites.