论文部分内容阅读
“敦,大也;煌,盛也。”——敦煌一词具有敦厚博大、辉煌昌盛的文化内涵。敦煌,历经沧桑,几度盛衰,历经了封建社会鼎盛时期汉风唐雨的洗礼,文化艺术积淀深厚,文物古迹辉煌灿烂,文献典籍浩繁卷帙,壁画、石窟和建筑艺术精美绝伦。敦煌的艺术,是壁画、彩塑和建筑三者的统一体。敦煌艺术是经过历史的选择、经过北魏以降十三个朝代一代代人的反复加工、修改和阐释后形成的文化凝聚物,具有无可争议的既定价值。然而这个既定价值又在一定层面限
“Dun, big also; Huang, Sheng also.” - Dunhuang has a generous, magnificent and prosperous cultural connotation. Dunhuang, after years of vicissitudes and ups and downs, has experienced the baptism of Han Feng Tang Yu in the heyday of feudal society, profound cultural and artistic heritage, brilliant cultural relics and historic sites, voluminous volumes of literature books, murals, grottoes and architectural art exquisite. The art of Dunhuang is a unity of murals, colorful plastic and architecture. Dunhuang art is the historical choice, after the Northern Wei Dynasty to reduce thirteen dynasties generation after generation of repeated processing, modification and interpretation of the formation of cultural cohesion, with the incontestable established value. However, the established value is limited to a certain level