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在二十世纪上半叶,海派文化和电影经历了一个辉煌的时代; 在二十世纪下半叶,海派文化和电影经历了一个边缘化的过程; 二十世纪九十年代,上海和浦东的重新开放使上海的经济迅速起飞,那么上海的文化和电影(电视)是否可能重建它昔日的辉煌呢? 关于海派文化海派文化是以中华文化为基础的吴越地域文化和西方文化结合的产物。它是随着中国的口岸开放、西方思想的进入、资本主义经济的发展、新文化运动的兴起、以上海为中心形成的一种新的文化形态。它的基本主旨是反封建,反压迫,高扬民主和人文价值。以文学、戏剧、电影为代表的海派文化在上个世纪二十年代、三十年代、和四十年代达到了它的鼎盛时期。它们当时不仅仅是一种地域文化,更代表了当时中国新文化和电影运动的主流。它在风格上和强调传统和国粹的“京派
In the first half of the twentieth century, Shanghai culture and cinema experienced a glorious era. In the second half of the twentieth century, Shanghai culture and cinema experienced a marginalized process. In the 1990s, Shanghai and Pudong Is it possible for Shanghai’s culture and film (television) to rebuild its past glory when it reopens Shanghai’s economy? About Shanghai Culture Shanghai Culture is a product of a combination of Wu-Yue regional culture and Western culture based on Chinese culture. It is with the opening up of China’s ports, the entry of Western thought, the development of capitalist economy, the rise of the new cultural movement, and a new cultural formation centered on Shanghai. Its basic thrust is anti-feudalism, oppression, promotion of democracy and humanistic values. Shanghai Culture, represented by literature, drama and film, reached its heyday in the 1920s, 1930s and 1940s. They were not merely a regional culture at that time, they also represented the mainstream of the Chinese new culture and film movement at the time. It is in style and emphasizes the traditional and quintessence of the “Beijing school.”