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作为海派后期的大师级人物,在近年来艺术市场的疯狂膨胀增值背景下,吴昌硕作品的市场价格也算高昂,但却不符合他在艺术史上的地位。这个嘈杂的市场中,新晋藏家习惯于瞩目齐白石和张大千,而老一辈藏家却常惋惜于吴昌硕不敌齐白石。吴昌硕的艺术生涯贯穿了最后一代文人画的复兴和终结,他的成功在于顺势,而今相对落寞则缘于他固守自己艺术信念的静止。
As the masters of the late Shanghai style, the market price of Wu Changshuo’s works is still high in the context of the crazy expansion and appreciation of the art market in recent years, but it is not in line with his position in the history of art. In this noisy market, new collectors are accustomed to paying attention to Qi Baishi and Zhang Daqian, while older collectors often regret that they missed Qi Baishi at Wu Changshuo. Wu Changshuo’s artistic career runs through the revival and the end of the last generation of literati painting. His success lies in the fact that his current loneliness stems from the standstill he holds to his artistic beliefs.