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色彩是构成艺术形式语言的重要元素,也是绘画装饰性中的重要艺术语言之一,基于中国画平涂设色的特点,画面中的色彩是艺术家根据画面需要并结合所描绘的对象,主观的进行色彩组合,其目的不在于写真,而是在主观情感的表达的基础上充盈画面装饰效果。因此色彩在中国工笔画装饰性的表现中起到了不可忽视的作用。综观中国工笔画的发展史,中国很早就有对色彩的体悟,并早在谢赫《古画品录》的“六法论”中就提出了“随类赋彩”的论述,其中的赋色并不一定要与自然原型一致,而只求色彩上的类似、相近即可,所以中国画的赋色是
Color is one of the important elements that make up the language of art form. It is also one of the important artistic languages in the decoration of painting. Based on the characteristics of Chinese painting, the color in the picture is subjectively performed by the artist according to the picture needs and the objects depicted Color combination, the purpose is not to photo, but in the expression of subjective emotions based on the full screen decorative effect. Therefore, the color in Chinese decorative painting performance played a role that can not be ignored. Looking at the history of the development of Chinese strokes, China has long had its own understanding of color. As early as in Sheikh’s “Ancient Pictorial Catalog”, it argues that , Of which the color is not necessarily consistent with the natural prototype, but only on the color of the similar, can be similar, so the color of Chinese painting is