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苏轼的咏花词大多借物喻人、咏怀,把人的品格、身世和情感寄托于所咏之花上,花中有人,亦花亦人,给读者以无尽的遐思和美好的回味。苏词的花卉意象是作者身世、遭遇、处境的诗意表达,将作者的情思妙韵赋予桃李梅菊,或抒情,或写人,或喻理;或比喻,或拟人,或象征,都情景交融,情理如一,物我合一,体现了苏轼豪放之外的婉约之风和驾驭文字的高超艺术,成为宋词名作佳什,在苏词中占有不可忽视的地位。一、芬芳弥散豪士踏来苏轼词共有340余首,涉及花卉的40多首,占到20%。这
Most of the poems on the poems of Su Shi’s poems are based on objects such as figurative people and charitable thoughts. They pin their character, life experience and emotions on the flowers they flower, and there are flowers and people in them, giving readers endless reveries and beautiful aftertaste. The flower imagery of the Su-Ci is the poetic expression of the author’s life experience, situation and situation. The writer’s emotional intelligence is given to the peach, plum blossom, or the writer, or the metaphor; or the metaphor, or personification, , As a matter of truth, the thing I am one, embodies the poetic style outside the boldness of sumptuity and superb art of mastering the text, becoming the masterpiece of the Song Ci, possession of the word can not be ignored in the Soviet Union position. First, the fragrant diffuse Hao Shoushi Su Shi word to come to a total of more than 340 first involving more than 40 flowers, accounting for 20%. This