生活表情与油画意蕴——第十二届全国美展油画作品展的审美转向

• 作 者: 尚辉
• 机 构: 《美术》杂志,
• 出 处: 美术
• 发表日期: 2014年12期

艺术对于生活的表现总会因时代而异。新中国建立的20世纪五六十年代,许多作品对于生活的描绘,多聚焦于工农学文化、促生产和获得当家做主的那份自豪与喜悦,作品里描绘的此种生活无不充满了一种理想主义的色彩。新时期之初的20世纪80年代,工农那种在生活中的喜悦表情突然在作品里消失了,苦涩与纯朴成为这些绘画对于生活形象的一种新的诠释。人们渴望通

Art’s performance of life always varies from time to time. In the fifties and sixties of the 20th century, New China established many portraits of life and focused more on the culture of worker and peasants, promoting production and gaining the pride and joy of being the masters of the country. All this life depicted in the works is full of a kind of life Idealistic color At the beginning of the new era, in the 1980s, the expressions of joy in life of workers and peasants suddenly disappeared in the works. Bitterness and simplicity became the new interpretations of these paintings for the life image. People long for communication