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假定性是艺术的一个普遍特征,可以这样说,没有假定性就没有艺术作品。美术作品中形象的假定性不同于生活的真实性。假定性就是画家利用艺术手段对生活进行再创作,而不是对生活进行虚假的模仿。从这个观点来考察中国画的空间意识,是一件极有趣味的事。一、从画面的结构看中国画空间表现的假定性唐代张彦远在《历代名画记》中说:“至于经营位置,则画之总要。”明代李日华的《六研斋笔记》也说:“大都画法以布置意象为第一。”画面结构是一幅作品的骨架,是画家表达自己思想的重要基础。不同的画面结构会
Hypothesis is a common feature of art. It can be said that there is no art work without presumption. The presumption of the image in the art works is different from the authenticity of life. Hypothesis is the painter to use art to recreate life, rather than a false imitation of life. It is a very interesting thing to examine the spatial awareness of Chinese painting from this viewpoint. First, from the structure of the screen to see the presumption of Chinese painting space performance Tang Yan in the Tang Dynasty, “Famous Paintings in History” said: “As for the business location, then draw the total to.” “Ming Li Lihua’s” Liu Ji vegetarian notes “also said : ”Mostly drawing is the first to lay out the image. " The structure of the picture is the skeleton of a piece of work, an important foundation for the artist to express his own thoughts. Different picture structure will be