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英国学者伯克在1757年发表了《论崇高与美丽概念起源的哲学探究》一文,紧跟其后的康德在《判断力之批判》中继续发展了对美和崇高的论述,由此确立了这一对概念在西方美学和艺术创作讨论中的二元核心。在西方古典艺术中,“美”无疑占据着更为重要的地位。希腊文Kalón可被勉强翻译为美,它有更多意思,还包含了真和善。当柏拉图在讨论他那理念王国中的绝对之善时,真理和美的光芒从此同样普照大地。美就是一种绝对的秩序,代表真理,它被剥离出混乱,并用
In 1757, the British scholar Burke published “A Philosophical Inquiry into the Origins of the Concept of Sublime and Beauty,” followed by Kant’s continued development of the exposition of beauty and sublime in Critique of Judgment, which established that A Dualistic Concept of a Concept in the Discussion of Western Aesthetics and Artistic Creation. In Western classical art, “beauty” undoubtedly occupies a more important position. Greek Kalón can be barely translated into the United States, it has more meaning, but also includes the true and the good. As Plato was discussing the absolute goodness of his kingdom of ideas, the light of truth and beauty grew equally radiant. Beauty is an absolute order, on behalf of the truth, it is stripped of chaos and used