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本文以我国明代著名文人画家沈周《庐山高》图作为研究对象,浅探了中国绘画中山水画的审美体验,以及产生这些审美体验的我国深厚的文化艺术传统——道家哲学思想所导致的审美心理,从审美主体(包括画家本人和观赏者)、审美客体(包括自然中的山水、画家创作出的山水画)两个方面进行剖析和研究,揭示出中国山水画的重要艺术特征,既中国山水画的创作是主客体交融、同化的产物,是将自然人格化的中国道家哲学思想的重要体现。
This article takes Shen Zhou Lushan Gao, a famous scholar and painter in the Ming Dynasty of China, as its object of study. It explores the aesthetic experience of landscape painting in Chinese painting and the profound psychology of aesthetics in Taoism, the profound cultural and artistic tradition that produced these aesthetic experiences , Analyzes and studies from two aspects of the aesthetic subject (including the artist himself and the viewer), the aesthetic object (including the landscape in nature and the landscape painting created by the artist), revealing the important artistic features of Chinese landscape painting, both the creation of Chinese landscape painting Is the product of the blending and assimilation of the subject and the object, and is an important manifestation of the philosophical thought of Chinese Taoism that naturalized the personality.