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自西方油画传入中国后,艺术家就试图把这种外来艺术和中国传统绘画艺术融而化之,提炼出新的造型语言,构造出新的绘画意境.在中国油画的百年发展史中,以西方油画之技法描绘中国景物和中国风情,是西画中国化和民族化的主要途径.从上海土山湾的清代仕女图到徐悲鸿的油画,从1949年以后的苏联油画的引进到改革开放之后,达利、怀斯、毕加索等大师画风的传入,很多艺术家取西画之火,铸造中国的油画写实派和现代派,并取得丰硕成果.如果说,这条探索之路蜿蜒于人物题材的群峰中,那么另一条中西融合的道路,则
Since the introduction of western oil painting into China, the artist tried to melt this foreign art and traditional Chinese painting art, refined the new stylistic language and constructed a new artistic conception of painting.In the history of the hundred years of Chinese oil painting, The western oil painting technique portrays Chinese scenery and Chinese customs, which is the main way for the sinicization and nationalization of western painting.From the ladies’ figure of Qing dynasty to Xu Beihong’s oil painting in Shanghai’s Tushan bay, from the introduction of the Soviet oil painting after 1949 to the reform and opening up, Dali, Wise, Picasso and other masters of the introduction of the style of painting, many artists take the fire of Western Painting, casting China’s oil painting realistic and modernist, and achieved fruitful results.If this exploration of the road meandering on the subject matter Of the peaks, then another fusion of Chinese and Western roads, then