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古人学画,必有师授,非经五七年之久,不能卒业。后人购一部《芥子园画谱》,见时人一二纸画,随意涂抹,已觉貌似,作者既自鸣得意,观者亦欣然许可,相习成风,一往不返。士夫以从师为可丑,率尔作画,遂题为倪云林、黄子久、白阳、青藤、清湘、八大,太仓之粟,仍仍相因,一丘之貉,夷不为怪,此画法之不研究也久矣。要知云林从荆浩、关仝入手,层岩叠嶂,无所不能。于是吐弃其糟粕,啜其精华,一以天真幽淡为宗,脱去时下习气。故其山石用笔,皆多方折,尚见荆关遗意,树法疏密离合,笔极简而意极工,惜墨如金,不为唐宋人之刻画,
The ancients learn to draw, there must be a professor, not after five or seven years, can not be graduated. Descendants to buy a “Mustard Garden Park”, see the time one or two paintings, free to smear, it seems that the author seems smug, the viewer is also pleased to approve, get used to the wind, never return. Scholar to teacher can be ugly, Seoul rate painting, then entitled Ni Yunlin, yellow for a long time, white Yang, Ivy, Qingxiang, eight, Taicang millet, still still due to a mound, Yi is not strange, this painting method Do not study for a long time. To know Yunlin Jing Hao, off with the start, layers of rocks stacked 嶂, omnipotent. So give up its dross, sip its essence, a faint naive, take off nowadays habits. Therefore, the use of pen and stone, are multi-fold, still see the Jing customs, tree law sparse clutch, pen minimalism and polar, cherish such as gold, not for the portrayal of the Tang and Song dynasties,