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泉州木板漆画是以木板为载体,以天然大漆为绘画材料,用金银代色或黑色上进行彩绘制作而成,集书法、绘画于一体,具有浓郁的地方特色。明清时期,福建地区木板年画盛行,尤以泉、漳二地最为有名。泉州作为闽南重要的海港城市,既承袭了先秦以来闽南地区“信巫尚鬼”的传统,又吸收了阿拉伯文化、伊斯兰文化等众多文化元素,使得泉州的木板年画有了其生存的土壤,从而带动了木板漆画的发展。另一方面,泉州地区的书画家也对此起了推波助澜的作用。泉州历史上书画家众多,民国时期,就有曾遒、弘一法师、龚植、庄俊元、
Quanzhou wood lacquer painting is based on wood as a carrier, with natural lacquer as drawing material, with gold and silver on behalf of the color or black painted on, set calligraphy, painting in one, with rich local characteristics. During the Ming and Qing Dynasties, New Year’s plank in Fujian was prevalent, especially in Quan and Zhang. Quanzhou, as an important port city in southern Fujian, not only inherited the tradition of “witch-beings and monsters” in southern Fujian since the early Qin dynasty, but also absorbed many cultural elements such as Arab culture and Islamic culture, making Quanzhou’s New Year’s plank with its living soil , Which led to the development of wood lacquer painting. On the other hand, Quanzhou painting and calligraphy also played a role in fueling this. There are many calligraphers in the history of Quanzhou. During the period of the Republic of China, there were Zeng Yi, Master Hong Yi, Gong Zhi, Zhuang Junyuan,