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当赫尔曼·克拉申爬上科隆教堂顶端将照相机对准横跨莱茵河的赫汉卓勒因桥时.他面对的是一幅彻底毁灭的图像.不仅大桥被炸得粉碎.强有力的桥拱也躺在桥下的河水里——他看到的是一幅不可想像的巨大建筑物被蹂躏的景象。老城镇科隆成为一堆碎砖。这个向下俯视城镇、越过乡村到远处的地平线的视域就像是1336年4月26日开始的意大利诗人皮特拉奇攀登普罗文斯的蒙特·文吐克斯象征性的结束:他想在眺望自己过放逐生活之处的全景中感受解放的感觉。以这种凝视,使现代地球照常滚滚而动。皮特拉
When Hermann Krashen climbed the top of Cologne church and aimed his camera at the Hermann Zollern Bridge across the Rhine, he faced a completely destroyed image. The arch bridge is also lying in the river under the bridge - he saw an unimaginable huge building was ravaged scenes. The old town of Cologne became a pile of broken brick. The sight of this horizon down to the town and across the country to the distance is like the symbolic end of Monte Forntc of Pritchard, the Italian poet, that began on April 26, 1336: He thought Feel the liberation in the panoramic view of the place where you live your life. With this gaze, the modern earth can roll as usual. Petra