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见到《岁月的痕迹》一书以前,我对王文中的了解只局限于他的风光摄影作品及一点相关的文字。就个人感觉而言,那种天然去雕饰的纯净正是我喜欢的品质。关于摄影,我的知识储备少得可怜,一些色彩和画面结构的极度完美的摄影总令我惊讶不已。但相比较这些明显带有现代科技手段和电脑技术痕迹的摄影作品,我还是更欣赏从老相机和胶片里诞生的东西。更多时候,它们会强烈地感染我的视觉和心灵。比如罗伯·卡帕,比如昂利·卡蒂——布列松的作品。
Before I saw the “Traces of Time”, my knowledge of Wang Wenzhong was limited to his landscape photography and a bit of related words. Personally, the kind of natural to carved pure is my favorite quality. With regard to photography, my knowledge reserve is so small that I was amazed at the extremely perfect photography of some colors and picture structures. However, compared to these photographic works that clearly bear the traces of modern technology and computer technology, I still prefer to see something born from old cameras and films. More often, they strongly infect my vision and mind. For example, Robert Capa, such as the work of Ngari Kati-Bresson.