寻找理解——“戏剧花会”的一种创作现象

• 作 者: 杨树
• 出 处: 广东艺术
• 发表日期: 1997年01期
• 关键词: 创作现象 当代中国艺术 价值取向 儿小 审美层次 芝水 主题先行 思想倾向 社会角色 二度创作

在当代中国艺术格局中,由于所处位置的相对超脱,业余戏剧往往能比职业戏剧更鲜明、直接地传达出社会对艺术的价值取向。近年来,当职业戏剧创作面对种种“主义”、潮流,还多少流露出莫衷一是的神情时,业余戏剧却已逐步以其与现实的血肉相联而建立起创作上的充分自信。这种自信在广东省第二届群众戏剧花会上集中体现为:寻找、呼唤人与人之间的相互理解,已成为一种普遍性的创作现象。

In contemporary Chinese art, amateur theater tends to be more vivid than professional theater because of its relative detached position, which directly communicates the value orientation of society to art. In recent years, when professional drama confronts various “currents” of trends and trends, the amateur drama has gradually established its full confidence in writing with its actual flesh and blood. This kind of self-confidence focused on the second mass drama festival in Guangdong Province as follows: Looking for and calling for mutual understanding between people has become a universal phenomenon of creation.