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全国美术作品展览作为一项国家文化工程,似乎成了难以言说的尴尬话题。首先是展览的机制老化了,作为在封闭的计划经济体制下构建的展览组织模式,虽经历数次架床叠屋、修补调整,还是显得老态龙钟,从学科分类到作品征集、评审方式,都难以适应当代视觉艺术发展的趋势,很多新的展览模式和交流渠道都在冲击着全国美展体制。其次是艺术观念相对陈旧,六十多年过去了,主办方依然坚持“二为”方向、“双百”方针,虽然也强调“与时俱进”、“以弘扬民族精神、彰显时代风范为主题,以熔铸中国文化气派、塑造国家艺术形象为主旨,推进艺术观念、内容、风格、流派的继承创新,推进
As a national cultural project, the National Art Works Exhibition seems to have become an awkward topic that can not be explained. The first is that the mechanism of the exhibition is aging. As an exhibition organizing model built under a closed planned economy, it has been difficult to classify exhibitions from exhibitions to collection of works and assessment methods, To adapt to the trend of the development of contemporary visual arts, many new exhibition modes and communication channels are all impacting the national art exhibition system. Followed by the relatively obsolete artistic concept, more than 60 years later, the organizers still adhere to the ”two to “ direction, ”double hundred “ principle, although also emphasize ”advancing with the times“, ”to carry forward National spirit, highlighting the style of the times as the theme, to cast the Chinese culture style, the theme of shaping the country’s art image, promote the concept of art, content, style, genre inheritance and innovation, promote