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毛泽东的文艺思想是 2 0世纪中国最重要的也是影响最大的文艺思想。这一思想从毛泽东立志于改造中国与世界时始萌发 ,经 30余年的酝酿 ,终于在三四十年代之交成型。他对于自己的文艺观和文艺思想的最完整、最系统、最清晰的表达 ,是《在延安文艺座谈会上的讲话》一文。此后 ,他的文艺思想作为中国共产党的文艺路线 ,决定了 2 0世纪后半叶中国文艺的发展和性质。世纪之交 ,纵观毛泽东文艺思想 ,其局限性虽随着时代的前进而日见明显 ,但它对中国文艺的影响 ,仍然是长期的 ,在相当长的时间内也是不可替代的
Mao Zedong’s literary thought was the most important and influential literary thought in China in the 20th century. This thought originated from Mao Zedong’s determination to transform China and the world. After more than 30 years of deliberation, he finally came to shape in the 30s and 40s. His most complete, systematic and clear expression of his literary concept and literary thought is his article entitled “Speech at Yan’an Forum on Literature and Art.” Since then, his literary thought as the cultural line of the Chinese Communist Party has determined the development and nature of Chinese literature and art in the second half of the 20th century. At the turn of the century, though the limitations of Mao Zedong’s literary and art thinking are increasingly evident with the progress of the times, its influence on Chinese literature and art is still long-term and irreplaceable for quite a long time