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中国画自古就有着独特的空间表现方式,它是中国画家和理论家长期对“尚远”的空间图式探索而做出的归纳总结。“远”作为中国画的主要审美情趣,是中华民族智慧的璀璨结晶,同时也是中国画发展的强大动力。本文从张大千、李可染和刘国松三位画家作为切入点,深入研究他们的作品在空间图式表现语言中反映的传统因素和现代面貌,进一步阐述了只有充分认识和了解中国画空间发展过程,广泛吸收、敢于尝试和大胆创新,才能更好地继承和发扬中国画。
Chinese painting has unique spatial representation from ancient times. It is a summary made by Chinese painters and theorists over the long-term exploration of the spatial schema of “Shang Yuan ”. As the main aesthetic taste of Chinese painting, Yuan Yuan is a brilliant crystallization of the wisdom of the Chinese nation and also a powerful driving force for the development of Chinese painting. This paper starts from the three painters Zhang Daqian, Li Keran and Liu Guosong, deeply studies the traditional factors and modern features of their works reflected in the spatial schema expression language, and further elaborates that only by fully understanding and understanding the development process of Chinese painting space, , Dare to try and bold innovation, in order to better inherit and carry forward the Chinese painting.