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国产电影的奇观化现象是在视觉文化转向、消费文化崛起的社会文化背景下产生的电影创作与审美取向的变化。奇观化现象受到外来电影文本的启发而生成,它的审美接受心理动因是实现满足欲望观看的影像本位的凸显。
The spectacle phenomenon of domestic movies is the change of the movie creation and aesthetic orientation that come into being under the social and cultural background of the rise of visual culture and consumer culture. The phenomenon of spectacle is generated by the inspiration of foreign film texts. Its aesthetic motivation to accept psychology is to realize the image-based prominence of satisfying the desire to watch.