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摄影艺术作品如今已被国内外众多收藏家认可,而规范、精致的输出制作成为了摄影作为艺术品的一个基础,怎样的作品制作才符合国际的收藏规范,摄影家李明将结合自己的作品案例,为大家一一解析作品输出与影像收藏的关系。博物馆级的“数字暗房”《隙地》作品以丝绸之路为地点线索拍摄,这些采用彩色胶片拍摄的作品处理起来十分繁琐,而在我拍照的年代,还没有数字影像,所有的照片都是呈现在纸张上,摄影本身也是有
Photographing works of art have now been recognized by many collectors both at home and abroad, and standardized and exquisite output production has become a basis for photography as a work of art. What kind of work is produced in conformity with international collection norms, and photographer Li Ming will combine his works Case, for all one by one to analyze the output of the work and the relationship between the collection of images. The museum-level “Digital Darkroom” “Ripley” works are clues to the location of the Silk Road. The works filmed with color film are very cumbersome to process, and in the days when I was photographing, there were no digital images. All the photos Is presented on paper, photography itself is there