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由于指挥家们的介绍、奔走、宣传,还由于北京音乐厅的落成并投入使用,北京交响乐前两年似乎进入了一个较为兴旺的阶段。曾有许多“场场爆满”,“掌声不断”的关于交响乐如何受到欢迎的消息见诸报端。可是,自今年开始,这股势头开始呈现疲软状态。入夏以来3个月,交响音乐会在拥有1000多座位的北京音乐厅一般只卖出四五百张票;中央芭蕾舞团交响乐团6月18日,19日在天桥剧场特邀美国指挥迈克尔·费尔德门合作演出莫扎特、享德尔、理查·斯特劳斯等的古典音乐作品,两场只卖出半场
The Beijing Symphony seems to have entered a relatively prosperous period in the past two years due to the introduction, running and publicity of the conductors and the completion of the Beijing Concert Hall. There have been many press reports of how the symphony was welcomed with many “showcases” and “applause.” However, since the beginning of this year, the momentum has begun to show signs of weakness. In the three months since the beginning of summer, the Symphony Concert only sold four or five hundred tickets at the Beijing Concert Hall with more than 1,000 seats. The Central Ballet Symphony Orchestra invited the U.S. conductor Michael at the Skybridge Theater on June 18 and 19th. Feldman co-star performances of Mozart, Frederique, Richard Strauss and other classical music, two only sold half