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一、现实主义在中国画中的原本存在是现实主义实践的基础“现实主义”是外来语,它的定性理解:一是客观地观察现实生活,按生活的本来样式精确细腻地描绘现实:另一是恩格斯从真实性和典型性两个方面定义,“除细节的真实外,还要真实地再现典型环境中的典型人物”。两者有差异性,也有相同性。相同性是“真实”;差异性是后者强调艺术的创造性,是对前者的发展。中国画理论与实践既体现了两者的差异性,又体现了两者的共同性。
First, the original existence of realism in Chinese painting is the basis for the practice of realism. “Realism” is a foreign language, its qualitative understanding: First, observe objectively the real life, according to the original style of life accurately and exquisitely depict the reality: the other is Engels defines it from the aspects of authenticity and typicality. “In addition to the truth of the details, it should truly reproduce the typical characters in the typical environment.” There are differences between the two, but also the same. The sameness is “true.” The difference is that the latter emphasizes the creativity of art and is the development of the former. Chinese painting theory and practice not only reflects the difference between the two, but also reflects the commonality of the two.