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“荒诞”(absurd)一词由拉丁文“sardus”(耳聋)演变而来,在哲学上指个人与生存环境脱节。荒诞派文学,是20世纪西方后现代主义文学重要的流派之一,主要是指戏剧创作。它采用荒诞的手法,表现世界与人类生存的荒诞性。荒诞派戏剧于20世纪50年代初诞生于法国巴黎,随后在欧美各国产生了广泛影响,统治西方剧坛长达二十年之久,七十年代初走向衰落。“荒诞派戏剧”一说,最早见于英国戏剧评论家马丁.艾思林1962年出版的《荒诞派戏剧》一书。荒诞派戏剧的哲学基础是存在主义,它拒绝用传统的、理智的手法去反映荒诞的生活,而主张用荒诞的
The word “absurd” evolved from Latin “sardus ” (deafness), philosophically referring to the disconnect between an individual and the living environment. Absurd literature is one of the most important genres of western postmodernist literature in the 20th century. It mainly refers to drama creation. It adopts absurd tactics to show the absurdity of the world and human existence. The Absurd Theater was born in Paris, France in the early 1950s and subsequently had a widespread influence in various countries in Europe and the United States. It ruled the Western theater for 20 years and declined in the early 1970s. “A ridiculous drama ” said, first seen in the English drama critic Martin. Asiling published in 1962, “Absurd Drama” book. The philosophical basis of the drama of the Absurd is existentialism, which refuses to reflect the absurd life in the traditional and rational way, but advocates the use of absurdity