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近读《李鱓年表》(吴晶范撰,载《美术史论》1991年第2期,下文简称《年表》),从小获益良多。但其摘录袁枚《白衣山人画梅歌赠李睛江》诗称“白衣山人(指李鱓)”,又将李方膺卒年于甲戍(1754),似乎失考,值得商榷. 袁枚《小仓山房诗集》卷十载有《白衣山人画梅歌赠李晴江》一诗,袁诗卷十编年甲戍,故可知此诗系乾隆十九年所作。《年表》认为诗中“白衣山人(指李鱓)”,不知所依何据?囿于见闻,一般的李鱓小传、年谱及其作品款识中,未见共有“白衣山人”或“衣白山人”的字号。只能从他的画作上见到“衣白山人”印鉴。上海博物馆编《中国书画家印鉴款识》一书,录取了两方“衣白山人”印,即序号33的白文方印和序号34的朱文方印,后一印即34号朱文方印的印迹,从杨新《扬州八怪》载李鱓图版花卉图之四(乾隆五年)、杂画册(乾隆七年)图版之一中也可见。另从李鱓《喜上眉梢图》上也可见到达方朱文印迹。据王鲁豫撰《李鱓年谱》提供的材料概略
The recent reading of “Li Mi chronology” (Wu Jing Fan Zan, “History of Art” in 1991 the second period, hereinafter referred to as “chronology”), childhood benefit greatly. However, the excerpt from Yuan Mei’s poem entitled “BaiYiShan Paintings of MeiZhuan LiYingJiang” is the poem entitled “BaiYiMountain (referring to LiJian)”. It also appears that Li Fang was dying in JiaShu (1754) year ago. Yuan Mei “Ogura Mountain House Poetry,” Volume 10 contains “Bai Yi Shanren painting plum song gift Li Qingjiang” a poem, Yuan Shimozai edition Jia Shu, so we can see this poem was made in 19 years of Qianlong. The chronology of the poem “Baiyingshanren (referring to Li Zhi)”, I do not know what basis? 囿 in the knowledgeable, general Li 鱓 biography, Chronicle and its works section, there is no common “White Mountain” or “Clothes white mountain” name. Only from his paintings to see the “white clothes” seal. Shanghai Museum compiled “Chinese calligraphy and painting seal identification section,” a book, admitted the two “clothing White Mountain” seal, that No. 33 White Wen Fang Yin and No. 34 Zhu Wen Fang Yin, the latter Indian Zhu Wenfang imprinted 34 , From Yang new “Yangzhou Baigui” contains Li Ying version of the flower map four (Qianlong five years), hybrid album (Qianlong seven years) version of one can also be seen. The other from Li Kui “beaming figure” can also see the side Zhu Wen imprint. According to Wang Luyu wrote “Li Wei Chronicle” provides a summary of the material