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上世纪50年代后期以来,艺术批评的对象发生了深刻的变化,因而在批评的职能和受众方面也随之发生了分化。在资本控制的市场无处不在的当代,我们应当选择何种艺术批评?批评的价值理性如何在与资本和策展的工具理性的博弈中保持自身的有效性,就成为了艺术批评必须面对的尖锐课题。本文认为,批评的有效性的根本基点不在于外在的操作策略,而在于内在的主体性,在于确立批评与艺术创作一样,是一种艺术文本的生产实践,具有其相对独立的价值实现方式。
Since the late 1950s, the object of artistic criticism has undergone profound changes. As a result, differentiation has also taken place in the functions and audiences of criticism. In the contemporary era where the capital controls are ubiquitous, we should choose what kind of art criticism we should criticize, and how the criticized value rationality should maintain its validity in the game with the tool rationality of capital and curatorial art. The sharp topic. This article argues that the fundamental basis of the validity of criticism lies not in the external operation strategy but in the intrinsic subjectivity in that the establishment of criticism, like the artistic creation, is a kind of production practice of artistic text with its relatively independent value realization .