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《考工记》曾经从一般意义上把百工之事当作“巧”来加以把握,而把百工称作“巧者”。今人容易把这“巧”理解为技巧,理解为某种能把预想完善地实现出来的手艺,并把这样一个经验技艺的运用过程,设想成某种基本上不涉及有意识地进行的、或者说是合目的性的思想活动。实际上,这“巧”虽然表现为手艺,其内里却也是包含着有意识地进行的思维活动在内的——这一点当属自然,因为手工技艺的运用过程,本来就是眼、心、手的一体化运作。
“Kao Gong Ji” once regarded the work as a “clever” from a general sense, and called it as a clever person. It is easy for people to interpret this “skill” as a skill as a skill that can bring the expectation to a perfect realization and to envision the use of such an experience as a technique that basically does not involve a conscious effort , Or a purposeful thought activity. In fact, although this “skillfulness” is manifested as a craft, it also contains conscious thought-taking activities - which is quite natural. Because the process of using artisanal skills is originally the eye, heart, The hands of the integrated operation.