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2010版《红楼梦》从选秀、拍摄到传播、发行,全程“直播”着传媒时代的艺术生产与传播“物质性”变迁。本文拟从服饰造型、音乐制作,即视听两个方面剖析2010版《红楼梦》的“物质性”肌理,辨析这些物质性媒介在对文学经典《红楼梦》再创造时的成功与失当,探讨能动地运用物质媒介对创造电视剧经典的可能,以求主义于经典影视改编的良性发展。一“震惊”式的感官体验是新版《红楼梦》服饰造型呈现出的审美范式。人物造型、美术指导叶锦添在谈人物造型时说:“我比较喜欢孙温(清代)的画,非常《红楼
2010 version of ”Dream of Red Mansions“ from the draft, shooting to dissemination, distribution, the whole ”live “ media production and dissemination of art ”material “ changes. This article intends to analyze the ”material “ texture of the 2010 edition of A Dream of Red Mansions from the aspects of costume styling, music production and audio-visual analysis, and to analyze the success and miscommunication of these material media in recreating the classic A Dream of Red Mansions. The material media can be used to create the classical drama possible, so as to seek the benign development of adaptation of classic film and television. A ”shock “ type of sensory experience is the aesthetic version of the costume version of the new version of ”Dream of Red Mansions“ presented. Character modeling, art director Ye Jintian talk about the character modeling, said: ”I prefer Sun Wen (Qing Dynasty) painting, very" Red House