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张雪松在自己的眼里,是“一只大山里散养的小笨鸡”。这个比拟的意思,是自嘲其对闾山写生的痴迷。熟悉张雪松的人都会认同他这个说法,或者还会嫌他说得力度不够,因为他显然已是过度痴迷于闾山写生了。几乎每一个太阳即将升起的时分,张雪松都会攀爬上闾山,随便找个山窝将自己安置进去,支起画架,拿起画笔就开画。天天如是,年年如此。这么做的缘由,想来有两点。一是张雪松自视为医巫闾山的赤子。医巫闾山对张雪松而言,已不仅仅是家乡的概念,还是他汲取艺术灵感的母体,更是他始终用满腔挚爱来
Zhang Xuesong in his eyes, is “a small stray free-standing chicken in the mountains.” This analogy is self-deprecating Lü Shan sketching obsession. People who are familiar with Zhang Xuesong will agree with him, or he will not be able to say enough about him because he is apparently obsessed with Lu Shan’s sketching. Almost every sunshine is about to rise, Zhang Xuesong will climb Shanglu Mountain, casually find a nest to place themselves, support from the easel, pick up the brush to draw. Every day, so every year. There are two reasons to do this. First, Zhang Xuesong self-seeing as the Witch Lu Yi Son. As for Zhang Xuesong, Yiwulushan is not only the concept of hometown, but also the mother who draws inspiration from art.