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日前、笔者曾和一位在剧院工作的朋友谈及一出已经公演的新戏。他联系话剧创作的现状,提出一些很好的意见。笔者怂恿他写成文章,投诸报端,也算一家之言。他思忖良久,摇摇头说:算了吧,大家都是熟人,不能不讲情面,挑毛病不但伤感情,还容易产生误会呢。其言殷殷,其情切切,倒使我生出另外的感慨。剧坛争鸣空气稀薄,很少象文学界那样就具体作品、具体问题进行深入的研究、讨论以至争论,这是大家都知道,并且习以为常的事。以至于造成这样一种局
Recently, I talked to a friend who is working in the theater about a new drama that has been staged. He contacted the status of drama creation, put forward some good opinions. I encouraged him to write an article, voted in newspapers, but also considered one of the words. He thought for a long time, shook his head and said: forget it, we are acquaintances, can not fail to talk about the situation, pick the wrong disease not only hurt feelings, but also prone to misunderstand it. His words earnestly, his affection, I actually gave birth to another feeling. The competition in the theater is thin and airless. It is seldom studied, discussed and even argued about specific works and specific issues as literary circles do. This is something that everyone knows and takes for granted. So as to create such a bureau