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画城市风景画,要在面对“现实”和“真实”的反思中,思考如何去解决“理性”和“情感”、如何找到属于自己的艺术表现等问题。同时,又要与鲜活动人的艺术手法与自然大象相互交融。最后,色彩个性与生活体验融为一体,没有主客之分,只有纯真的艺术喜悦。艺术家不应该,也不可能对人类活动的自然形态及其变化进行挑选。而应是发自内心地、清醒地直面现实,将艺术活动融入到自然大象之中,发掘属于自己的闪光点。使中国传统文化的精髓与油画这一外来绘画形式形成和谐互动,进而建立起中国写意价值结构与色彩语言互为融合的艺术语言体系。在这种体系中,艺术呈现出你中有我,我中有你,既有传统的,又有现代的,属于中国画家自己的气质品格。不可否认,经济全球化的趋势把20世纪80年代曾被人们唯恐避之不及的艺术独创性戏剧化地转变为艺术的有效资源,甚至是语言身份。而更
To draw urban landscape paintings, we should think about how to solve the problems of “rational” and “emotional” in the face of “reality” and “real” reflection and how to find their own artistic expression. At the same time, it is also necessary to blend in with fresh and moving artistic techniques and natural elephants. Finally, the color personality and life experience into one, there is no subjective subjective and only pure artistic joy. Artists should not and can not choose the natural forms of human activity and their changes. But should be from the heart, soberly face the reality, the arts into the natural elephants, to explore their own bright spots. So that the essence of Chinese traditional culture and painting this form of external painting to form a harmonious interaction, and then establish China’s freehand value structure and color language fusion of art language system. In this system, art shows that you have me, I have you, both traditional and modern, belonging to the temperament of Chinese artists. It is undeniable that the trend of economic globalization has turned the dramatic art of originality in the 1980s into an effective resource or even a linguistic identity for the arts. And more