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钢琴作品的储存和再现,要通过人的符号思维才得以转换,作曲家将符号思维外化为乐谱,演奏家又凭着思维实现其价值。乐谱作为音乐信息的载体,对钢琴演奏者来说,是唯一的直接认识对象,当然也可以客体声音为直接认识对象,但再现复杂织体或较长音乐时,几乎没有可能。若将钢琴演奏行为的发生和进行所体现出来的符号实践功能,从符号学的角度去思考时就有了这样的命题。这里所研究的符号思维,是指能直觉或快速地认知符号信息的能力,不包括大
The storage and reproduction of the piano works can only be converted through the symbolic thinking of the human beings. The composer converts the symbolic thinking into the score, and the performer realizes his value by thinking. As a carrier of music information, music score is the only direct cognition object to the pianist. Of course, the object sound can be directly recognized, but it is almost impossible to reproduce complex weave or longer music. If the performance of the piano and the manifestation of the symbol of the practice of the function, from the perspective of semiology to have such a proposition. The symbolic thinking studied here refers to the ability to recognize symbolic information intuitively or quickly,