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以国粹著称的戏曲与书画,在当今艺坛,早已暗然失色了。那“太真不是戏,太假不是艺”,与太似则媚俗,不似为欺世的理论,有谁还在恪守。那有板有眼、一波三折的唱腔,那虚拟空设的构思,令人惊绝的表演,与那工雅的线条,淋漓的泼墨,以及那空灵的画境,得意忘形的逸气,在当代情境下,已显得苍白而乏味。尽管还有部分的迷恋者从中如醉如痴地自得其乐,但终是大势已去,已是往日的
The opera and calligraphy and paintings, famous for their quintessence, have disappeared in today’s art world. That “too much is not a play, too fake is not art,” is too kitsch with vulgar, not like a deceived theory, who still abide by. There are bright, twists and turns in the aria, the idea of a virtual empty design, astonishing performances, and that elegant lines, dripping ink splashes, and that ethereal paintings, proudly ethereal, in contemporary circumstances, it seems Pale and boring. Although there are some obsessive enamored delight, but in the end the trend is gone, it is the past