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少数民族作家笔下塑造的众多的女性形象,均具有地母一般宽厚温暖的胸怀。本文通过对回族李进祥《带着男人去北京》、蒙古族扎·哈达《三杯班萨尔》、土族鲁玉梅《苍生》、维吾尔族伊力哈木·赛都拉《楼房里的老人》、壮族连亭《有没有一袭桃花落在水中》、蒙古族乌仁高娃《四姐》、苗族何炬学《葬礼上的红公鸡》等小说、散文作品中女性形象的扫描和梳理,分析了女性的母性之爱与自我觉醒之间的关系,意在提醒少数民族女性对个人命运及其出路进行的理性思考。
Minority writers create a large number of female images, all have the mother generous general warmth. This article through the Hui Li Jinxiang “with a man to Beijing”, Mongolian Zha Hadat “three cups of Bansal”, Tu nationality Lu Yumei “common people”, Uygur Yi Li Ha Mu Xidura “building in the elderly” , The Zhuang and Li Ting, “whether or not the peach blossom in the water”, Mongolian Wurenbaosao “Sister”, Miao He Juju “funeral red cock” and other novels, prose works in the female image scanning and combing, analyzed The relationship between women’s maternal love and self-awakening is intended to remind minority women of rational thinking about their personal destiny and their way out.