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“依态婉转、随意徘徊”是我对传统中国绘画特别是人物画意象造型特征的概括,也是自己长期学习、实践和教学思考的体会。换句话说,当我在观赏传统中国绘画的经典作品,品味这些作品意趣生动的造型形态,发现古往今来意象造型的观念始终伴随中国历代绘画的写生与创作实践,逐渐形成中华民族独特的绘画面貌。我认为其面貌在绘画表现方法方面普
“According to the state of tactful, free wandering ” is my summary of the traditional Chinese painting, especially portraits modeling characteristics, but also their own long-term learning, practice and teaching experience. In other words, when I was viewing the classic works of traditional Chinese painting, I tried to taste the interesting and vivid shapes of these works. I found that the concepts of ancient and modern imagery are always accompanied by the sketching and creation practices of Chinese ancient paintings and gradually formed the unique Chinese painting landscape. I think the face of the general performance in the painting method