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这是一本反对“左岸”的唱片知识分子的书.虽然本书的副题就是“来自左岸的音乐极乐同盟”。唱片知识分子在本书作者看来,是收藏有多于1000张或者3000多张唱片,有着“唱片病”的那些唱片宅男,这类人动辄用超过几万或者几十万的HI-END音响来收听上世纪起码是70年代前的历史录音,比如1934年某个版本的贝多芬或者60年代的美国爵士乐的唱片。但《流亡的语速》其意并不在于谈唱片的圣经.或者梳理唱片知识分子的概念族群特点。这是一部“跨
This is a book that opposes recording artists on the ”Left Bank.“ The subtitle of the book, however, is ”Music Bliss Alliance from the Left Bank.“ Album intellectuals in the book’s author seems to have collected more than 1,000 or more than 3,000 albums, with ”record disease “ those recording otaku, such people frequently with more than tens or hundreds of thousands of HI- END sound to listen to the historical recordings of the last century up to pre-70s, such as a version of Beethoven in 1934 or American jazz records in the 1960s. However, ”the speed of speech in exile“ is not intended to refer to the bible of the record, or to the concept of ethnic groups that record the intellectuals. This is a ”cross