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山水精神是中国文化的重要部分。 山水、田园以其清新朴茂的自然景观,陶冶着这个古老民族的胸次和她的子孙们的心灵,造就了他们独特的,充满诗意的文化心理。在山水田园中,人们获取的是返朴归真的真、善、美;因此,作为中国文化精神表现的山水画,被赋予了特殊的人文风采。 山水画史上的中国文人画家,都有着一片渺远、澄明、平淡、率直的心灵境界,正是这种诗意精神陶冶并洗礼着古代艺术家。也正是在他们那里,以数十代人的努力、数千年的积累,铸造了“东方诗意”。 卢禹舜承继了山水精神的东方诗意传统,并在实践中不倦探索、实验,终于完成了形式语言上的现代变异与东方诗意的承继。
Landscape spirit is an important part of Chinese culture. Landscape, pastoral with its fresh Pumao natural landscape, cultivate the chest of this ancient nation and the hearts of her children and grandchildren, creating their unique, full of poetic cultural psychology. In the landscape garden, people get the truth, beauty and beauty of returning to simplicity; therefore, the landscape painting, as a manifestation of Chinese cultural spirit, has been given a special cultural style. Chinese literati painters in the history of landscape painting all have a spiritual realm that is far-reaching, clear, plain and straightforward. It is precisely this poetic spirit which embellishes and baptism the ancient artists. It is also in them, with dozens of generations of efforts, thousands of years of accumulation, casting the “Oriental poetic.” Lu Yu-shun inherited the oriental poetic tradition of landscape spirit, and tirelessly explored and experimented in practice. At last, he accomplished the modern variation in formal language and the succession of Eastern poetic sentiment.