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视像作为一种艺术形式出现在60午代中期,因为那时便携式摄像设备可以在市场上买到。自到那时,这种媒介仍局限于装备良好的电视工作室,那里有沉重的2英寸录相设备及工程师们。但那时使用者对便携式摄像机并不熟悉。电视工作室有笨重的录制台、电池瓶及很不灵便的摄像机,放在胶片盒里的胶片使用起来也很不方便。那时,一些艺术家发现便携式摄像机是可以承受得起的,而且它的可以在较暗的光线条件下进行录制的能力使这种媒介变得富有吸引力。他们觉得摄像这种媒介十分开放,具有很大的艺术发展潜力。在以后的30年中,这一领域得到很大的扩展,包括最著名的单频道录相带、视像雕塑和环境装置。 在早些时候,一些艺术家将视像作为主要的媒介载体,其他的人将之与雕塑、舞蹈、
Video appeared as a form of art in the mid-1960s, when portable camcorders were commercially available. Since then, the medium has remained limited to well-equipped television studios with heavy 2-inch video equipment and engineers. But users were not familiar with the camcorder at the time. TV studio has a bulky recording desk, battery bottles and very inconvenient camera, the film placed in the film box is also very inconvenient to use. At that time, some artists found the camcorder to be affordable and its ability to record in darker light conditions made the medium attractive. They think the camera is a very open medium and has great potential for artistic development. In the next 30 years, this area has been greatly expanded, including the most famous single-channel video tapes, video sculptures and environmental devices. Earlier, some artists used video as their main media carrier, others linked it to sculpture, dance,