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戏剧创作绝非仅仅依靠形象思维就可以完成,它同样离不开数理逻辑思维。很多戏剧故事最终走向戏剧舞台或者银幕银屏,都要依靠数理逻辑思维加形象思维这样一种综合思维方式来完成。其中,如何在编剧过程中规定闭合区间的范围,以及在编剧中究竟能发挥怎样的功效,却是一个值得探讨的问题。本文就试图利用闭合区间的概念,通过大量实例,探讨它与戏剧人物设置、情节设置和点阵设置之间的密切联系。
Drama creation is by no means a mere imagination. It can not do without mathematical logic. Many drama stories eventually go to theatrical stage or screen silver screen, have to rely on mathematical logic thinking and image thinking such a comprehensive way of thinking to complete. Among them, how to define the scope of the closed interval in the process of screenwriting and what kind of effect it can play in screenwriting is a question worth exploring. This article attempts to use the concept of closed interval, through a large number of examples to explore its close relationship with drama characters, plot settings and lattice settings.