宁德二十年

• 作 者: 王宁德 何博
• 出 处: 中国摄影
• 发表日期: 2017年02期
• 关键词: 无迹可寻 十年 影像记录 恶趣味 观看者 兴趣点 创作思维 鲁迅美术学院 辽宁丹东 影像语言

你有没有注意到,第一次观看王宁德的很多作品时,会有种被拒绝的感觉?在《某一天》里,你无法和影像中的人物建立起视觉交流,因为他们紧闭着眼睛,以往的照片观看经验中透过被摄者的双眼臆测内心的渠道被切断了;《有形之光》回溯着摄影对光的依赖,但当展场灯光熄灭,墙面上的影像即刻消失无踪,无迹可寻;《无名》将权力的拒绝手段挪移到了作品中,你既无法刮开

Have you noticed that when you watch many of Wang Ningde’s works for the first time, you get a feeling of being rejected? You can not establish visual communication with people in the image for one day because they are tightly closed , The past experience of the photos through the eyes of the photographer guess the inner channel was cut off; “visible light” back to the dependence of photography on the light, but when the show lights go off, the image on the wall disappears instantly Trace, no trace to be found; “nameless” will power to reject means to move to the work, you can not scratch