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农民画是我国的非物质文化遗产之一,对于我国整个绘画文化而言可以说十分珍贵。陕北农民画作为我国农民画的重要组成部分,是陕北民间艺术非常重要的艺术种类。但随着新时期中国艺术文化产业的不断发展,陕北农民画也面临着创作团队出现断层、市场混乱以及难以形成相对较为完整的产业链等问题。因此如何实现陕北农民画的长效发展以及形成完整的产业链,已经成为了陕北农民画面临的重要问题。本文从陕北农民画的源泉及主要特色解析入手,全方位透视陕北农民画在产业发展当中存在的问题,有针对性的提出实现陕北农民画长效发展以及完整产业链的对策,对陕北农民画的长效发展方式及产业化研究具有一定指导意义和借鉴价值。
Peasant painting is one of the intangible cultural heritage of our country and can be very precious to our entire painting culture. As an important part of Chinese peasant painting, peasant painting in northern Shaanxi is a very important art genre in northern Shaanxi folk art. However, with the continuous development of Chinese art and culture industries in the new era, the farmers’ paintings in northern Shaanxi are also facing problems such as the emergence of creative team, the chaotic market and the difficulty of forming a relatively complete industrial chain. Therefore, how to realize the long-term development of farmers’ paintings in northern Shaanxi and the formation of a complete industrial chain has become an important issue for farmers in northern Shaanxi. This paper begins with the analysis of the origins and characteristics of farmer paintings in northern Shaanxi. Through a comprehensive survey of the problems existing in the development of farmer drawings in northern Shaanxi, the paper puts forward some countermeasures to realize the long-term development of farmer drawings in North Shaanxi and the complete industrial chain. The long-term development mode and industrialization research of farmer’s painting in northern Shaanxi have certain guiding significance and reference value.