论文部分内容阅读
油画本土化是艺术发展形式中必然出现的现象,这种现象对中国油画的形成与发展起着至关重要的作用。如何在创新中把握中国油画的基本定位和前景方向十分重要,既要从艺术的本质出发,认清中西油画的各自特点与区别,也要关注社会变革中的因素影响,这不仅是油画发展的必然要求,也是艺术家自身生存的根本。本文试图以“在天成像,在地成形,变化见矣”(《易经》)的变化原则为主线,思考中西油画的变化过程,进而探讨中国油画如何朝着带有中国文化特色的健康方向发展。
Localization of oil painting is an inevitable phenomenon in the form of art development. This phenomenon plays an important role in the formation and development of Chinese oil painting. It is very important to grasp the basic orientation and future direction of Chinese oil painting in the course of innovation. It is necessary to understand the characteristics and differences of Chinese and Western oil paintings from the essence of art and also pay attention to the influence of factors in social reform. Necessary requirements, but also the artist’s own survival of the fundamental. This article attempts to reflect the changing process of Chinese and Western oil paintings with the principle of changing in the form of “imaging in heaven, forming and changing in the sky”, and then explores how Chinese oil paintings move toward the cultural landscape with Chinese characteristics Healthy direction.