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近几年,不少编辑多次约我写一篇有关《音乐领域之共性》的文章。要知道,我还此愿所能做的也不过是“摇旗呐喊”而矣。象这样一个研究课题,不是一个人、一篇文章零打碎敲就能说清楚的。它完全可以作为一次国际会议的主题,让全世界的学者都来研讨。当然,如此重大而深刻的课题,在最初的研究中,出现若干疏漏实为在所难免。重要的是把好正确的研究方向。 几十年前,人们已经习惯听只由几个学者谈论的两个世界的音乐:一是处处可见的欧洲传统艺术音乐,一是所有其它类型的音乐。1977年,在美国加
In recent years, many editors have repeatedly asked me to write an essay on “commonality in the field of music.” You know, I still wish to do is nothing but “wave flag shout” and carry on. A research project like this one is not a person, an article can be made clear when it is typed. It can serve as the theme of an international conference and allow scholars all over the world to discuss it. Of course, such a major and profound issue in the original study, there are some omissions is inevitable. It is important to keep the right research direction. Decades ago, people were accustomed to listening to the music of two worlds spoken by only a few scholars: one is the widespread European traditional art music, and the other is all other types of music. 1977, in the United States plus