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放眼今日梨园界,不可回避地说,戏曲并不是很景气。这里有诸多因素,戏曲人才的荒废和流失也是其原因之一。很多剧种都存在着这一严重问题,特别是京剧、评剧。人所共知,自改革开放进入新时期以来,戏曲界一些专业院团和学府培养了不少新秀,从年龄上看正值黄金时段。可是,时至今日,经常在戏曲舞台上演出的优秀演员却屈指可数,有些俊才流失了。我们说,每个人都有选择道路的权利,他人不能强求和责怪。只是他们的不同选择,应引起有关
Looking at the pear community today, it is unavoidable that drama is not very good. There are many factors here, one of the reasons for the abolition and loss of opera talent. There are many serious drama there is a serious problem, especially Peking Opera, Pingju. It is well known that since the reform and opening up entered a new period, some professional troupes and institutions in the opera circles have cultivated many rookies, which is a golden period in terms of age. However, up to now, there are only a handful of outstanding performers who often perform on the stage of the opera, and some of them have been lost. We say that everyone has the right to choose the road, and others can not insist and blame. Just their different options should be related