论文部分内容阅读
一历史画的历史图像可以被看做是人类发展各个阶段的一种见证,历史上的“历史图像”源远流长。在中国绘画史中,对“图像”功能也有不少有见地的认识。例如:唐代的张彦远(815-907)强调用绘画的方式记载历史,西方的绘画从源头起就是遵循研究客观、真实,题材上以宗教为主,可谓和历史画相伴、共同成长。早在希腊时期的历史画里,描写众神就是最主要的艺术创作。希腊化时期,出现了具有纪念性手法的历史画,即庞贝的镶嵌画《亚力
The historical images of a historical painting can be regarded as a testimony of all stages of human development. The historical “historical images” have a long history. In the history of Chinese painting, there are also many insightful understandings of the “image” function. For example, in the Tang Dynasty, Zhang Yanyuan (815-907) emphasized that history should be recorded by way of painting. Western painting, from the very beginning, follows the objective and true aspects of his research and mainly focuses on religion, which is accompanied by historical paintings and grow together. As early as the Greek history paintings, describing the gods is the most important artistic creation. During the Hellenistic period, a historical painting with monumental techniques appeared, namely the mosaic of Pompeii