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20世纪80年代,王安忆以文学书写的形式积极参与线性化的文学潮流。进入90年代商业化大潮中,王安忆以更加从容的姿态,从个人生命经验出发,致力于审美写作空间的开拓。《长恨歌》《香港的情与爱》以怀旧情调追寻以上海为代表的都市文化的精神源头;《富萍》以朴素的笔调书写新时代背景下城乡间移民者的心灵史诗;“淮河系列”小说则精心为淮河农村小儿女画像。本文通过对这些小说进行个案分析,从时空范畴的角度,勾勒出王安忆20世纪90年代都市——城乡间——农村的写作演变轨迹。
In the 1980s, Wang Anyi actively participated in the linearized literary trend in the form of literature writing. Into the tide of commercialization in the 1990s, Wang Anyi to a more calm gesture, starting from the experience of personal life, dedicated to the development of aesthetic writing space. “Everlasting Regret,” “Love and Love in Hong Kong” pursues the spiritual source of urban culture represented by Shanghai in its nostalgic mood. “Fuping” writes the epic poem of urban and rural immigrants in a naive era in a simple style. “The Huaihe River Series ”The novel is elaborate as a portrait of children in rural Huaihe. This article through case analysis of these novels, from the perspective of space-time categories, outline Wang Anyi metropolitan-urban-rural-rural writing evolution in the 1990s.