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一、音乐的社会环境 古典主义者尼采曾巧妙地从叔本华的音乐美学理论中分离出两种艺术类型:一种是阿波罗(太阳神)式的艺术,它耽溺于沉思、追求内涵,讲究哲理和意念;另一种是狄俄尼索斯(酒神)式的艺术,它热烈投入,令人陶醉,激发疯狂的冲动。这两种不同的艺术类型犹如——古典音乐与流行音乐、艺术音乐与民间音乐、传统音乐与先锋派音乐——两大世界性的完全对立的阵营。早些年,人们在音乐的社会性争论中把它们称之为“严肃音乐”与“通俗音乐”。热爱严肃音乐的人往往对新潮音乐现象嗤之以鼻、不屑一顾;而热衷于通俗音乐的人又把前者视为时代的弃儿,不予理睬。当然,乖巧的折中主义者们也不
I. The Social Environment of Music Nietzsche, a classicalist, cleverly separated two types of art from Schopenhauer’s theory of musical aesthetics: one is Apollo art, which is addicted to contemplation, the pursuit of connotation, Emphasis on philosophy and ideas; the other is Dionysus (Bacchus) -style art, it is devoted, intoxicating, inspired by the crazy impulse. These two different types of art are like two completely opposed world camps: classical music and pop music, art music and folk music, traditional music and avant-garde music. In earlier years, people referred to them as “serious music” and “popular music” in the social debate of music. People who love serious music tend to scoff at the trendy music phenomenon, dismissing them as dislikes, while those who are passionate about popular music regard the former as an outcast of the age and ignore it. Of course, well-behaved eclectics do not