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吴雨洁一篇《大画家陆俨少与长江石》(2017.6.《宝藏》)的文章,给人许多启示。人们感兴趣的可能是大画家的参与,对长江石带来的艺术定位与市场影响。我以为值得注意的是,艺术家选择画面石的思路,与我们的赏石理念有什么不同。回顾近三十年来长江画面石的发展历程,不难发现,长江石的赏玩发端,是从民间普通百姓休闲娱乐自发兴起。人们都在根据自己的生活阅历,从石头画面上寻找对应的情境,普遍关注于图纹的技术识别,乐于寻找主题、识图、附会、
Wu Yujie’s article, “Large Painters Lu Yan Shao and the Yangtze River Stone” (2017.6. “Treasure”), gives a lot of inspiration. People may be interested in the participation of big painters, the art of the Yangtze River stone to bring the positioning and market impact. What I think is worth noting is that the artist’s choice of picture stone is different from our concept of stone appreciation. Recalling the past thirty years the development of the Yangtze River picture stone is not difficult to find, the start of the Yangtze River stone tour, is from the private ordinary people leisure and entertainment rise spontaneously. People are based on their own life experience, from the stone picture to find the corresponding situation, generally concerned about the pattern of technical identification, willing to find the theme, knowledge map, annex,