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《语文教学通讯》编辑部给我出了一个题目:“散文阅读方法谈”。此题很好,但非我所能胜任。想了几天,谨将自己阅读散文中的点滴体会,凑成“四忌”,不知将有益于读者否?一曰:忌粗疏。记得日本作家厨川白村说过:读散文,不能象看那些称为浪漫主义的故事一样,“在火车或电车中,跑着看跳着看”;因为散文的“写法”,“是将作者的思索体验的世界,只暗示于细心的注意深微的读者们”。(《出了象牙之塔·Essay 与新闻杂志》)散文的作者,总是着眼深微,常常借谈平凡微末的小事物,暗示他对人生的深刻体验与思
The editorial department of the “Language Teaching Newsletter” gave me a topic: “Talking on prose reading methods.” This question is very good, but it is not what I can do. After thinking about it for a few days, I would like to read a bit of my experience in prose to make up the “four taboos”. I wonder if it will benefit readers. I remember that the Japanese writer Chuan Chuan Baicun said: Reading essays can’t be like watching romantic stories. “Take a look in the train or tram, watch and jump and watch.” Because the “wording” of prose, “is the author’s The world of contemplating experience is only hinted at readers who are paying careful attention to them.” (“The Ivory Tower, Essay, and the News Magazine”), the author of a prose is always attentive, often talking about trivial things, hinting at his profound experience and thinking about life.