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我国少数民族原始主义绘画创作是伴随着西方社会艺术思潮的纷繁变化而自成一体的艺术形态,在西方传统艺术向现代艺术的过渡中,以藏族原始主义绘画为代表的中国少数民族艺术创作的稳定性首屈一指,在此立足于中西艺术研究的比较主义视野,基于藏族原始主义绘画分析,从原始民族思维特征、原始民族精神生活、民族文化神韵三方面探讨了中国少数民族艺术特别是原始主义绘画艺术的创作驱动和嬗变规则,揭示了民族性是中国少数民族艺术创作的稳定性根源。
The creation of the primitive ethnics in our country is a kind of art form integrated with the numerous changes of the western social art trend. In the transition from the western traditional art to the modern art, the Chinese minority art represented by the primitive painting in Tibet Based on the comparative analysis of Chinese and Western artistic studies, based on the analysis of the Tibetan primitive painting, this article discusses the Chinese minority art, especially the primitive painting from three aspects: primitive nationalistic thinking, primitive spiritual life and national cultural charm The creative driving and transmutation rules of art reveal that nationality is the source of the stability of the artistic creation of the Chinese minorities.